KÂRÂ FILM STUDIO
Production and Distribution of Iranian Documentary Films
KARA Film Studio is a name under which a group of professional Iranian filmmakers express their common concerns regarding humanistic, social and cultural issues through documentary films, while maintaining their own diverse and distinct vision.
In KARA Film Studio, filmmakers in small or large numbers, gather together and, starting with an outline of a documentary project, complete the work in a professional manner.
KARA Film Studio operates under a number of principles: personal financing or financing through private sector; working as teams and in a workshop from development of an idea through to its completion and distribution; giving young and talented documentary filmmakers an opportunity to work with professionals and assistance with their development, due respect for the audience by maintaining high standards in the production phase, endeavor to provide improved and increased means of screening films inside and outside Iran; ...
Rakhshan Banietemad and Mojtaba Mirtahmasb are the constant participants in this group.
Rakhshan Banietemad graduated in film directing from the University of Dramatic Arts in 1980, when she made a name for herself in Iranian cinema with her film Off the Limits, Nargess, made in 1991, with its courageous subject, established Banietemad as a leading filmmaker with social concerns in Iranian cinema, and brought her not only the best directing award at the Fajr Film Festival, but also helped her to gain a strong footing for making her following films. Yellow Canary, Foreign Currency, The Blue-Veiled, The May Lady, Under the Skin of the City, Gilaneh, Mainline, and Tales are among other works by Banietemad that have earned her awards and prizes including: First Prize at the Comic Films Festival (Italy), the International Critics Award at Salonika (Greece), the prize for the Best Asian Female Director at the Delhi Film Festival, the Jury Prize at the Moscow Film Festival, the NETPAC First Prize at the Karlovy Vary Film Festival, the Jury Prize at the Las Palmas Film Festival, the Award for Best Direction from the Asian Pacific Academy, the award for the Best Script at the Venice Film Festival, and an Honorary Doctorate from London University.
But this does not represent the full scope of Banietemad’s filmmaking. In addition to presenting several instructional workshops, she has directed and produced important documentary films such as To Whom Do You Show These Films? , Kahrizak: Four Views, Angels of the House of Sun, We Are Half of Iran's Population, Our Times, All My Trees, and Hey, Humans.
Mirtahmasb is one of the most renowned Iranian documentary filmmakers. He started filmmaking in 1990, after admission to the University of Tehran where he received a BA in Handicrafts from the School of Art. He has done a prolific amount of research, scriptwriting, and directing. His more than 30 documentary films include Six Centuries Six Years, This Is Not a Film, Off Beat, Back Vocal, The River Still Has Fish, The Banner, Lady of the Roses, The latter is considered one of the most outstanding documentaries in Iranian cinema. It addresses the life of Shahindokht Sanati, one of the most successful female Iranian entrepreneurs.
Mirtahmasb has won many awards and prizes including the Fajr International Film Festival Crystal Simorgh (Phoenix) and the Jury Award, the Special Jury Award at the Cinéma Vérité Film Festival, the NETPAC Award, and the award for the Best Experimental Documentary Film from the US National Society of Film Critics.
Mirtahmasb has been a member of the board of directors of the Iranian Documentary Filmmakers Association (IRDFA) for six years, serving two years as its chairperson. He is one among very few independent Iranian documentary filmmakers. Besides filmmaking, he has recently undertaken producing several film projects.